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that were indebted, in terms of their painterly bravura at least, to masters such as Diego Velázquez and Rembrandt. The most decisive shift toward metaphor in post-Minimalist sculpture can, however, be discerned in developments in Britain from the late 1960s onward. One of the most-useful ways of thinking about the period since World War II, however, is in terms of notions of Modernism and postmodernism. In his now celebrated 1945 essay 'The Plasmic Image' (never published in his lifetime Newman discussed the key differences between Surrealism and abstraction; "Surrealism is interested in a dream acronym in essay apartheid world that will penetrate the human psyche he wrote. Although these artists had no great appreciation of the cultural values of African masks, they sensed that the creative approach of the tribal artist opened the door to a wider exploration of the relationship between the form, medium and content of an artwork.
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The factory-made, streamlined look of much Minimalist sculpture gives it a severe, rationalistic aura, but in the hands of Sol LeWitt, that apparent emphasis on logicality could flip surprisingly into irrationality. In many ways the iconography of the existentially scarred figure associated with Dubuffet, Bacon, and Freud represented a last bastion of traditional painterly values in an age that was increasingly attuned to Modernist experimentation and imagery reflective of the rise of the mass media. His work is a mixture of technology and the transcendental but it remains historically part of that Romantic tradition which Isaiah Berlin described as 'a longing for the unbounded and the indefinable, for perpetual movement and change, an effort to return to the forgotten sources. Flag also posed a Duchampian philosophical conundrum: was it a painting or a flag? 20th Century Masterpieces from the femsa Collection, Museum of Latin American Art, USA, Long Beach 45 2015: Lorna Otero Project Album of Family, Miami, The Patricia Phillip Frost Art Museum, Florida International University, USA, Downtown Miami 45 2015: Surrealism: The Conjured Life, Museum of Contemporary. Both sculptors were admired by Greenberg, and Michael Fried, Greenbergs main critical disciple, argued that Caro had succeeded in realizing Modernist principles in sculptural terms, producing effects that were purely optical. Hubert, Renee (July 1, 1991). Smithson built this structure in three weeks using a bulldozer and dump trucks. Each place setting included a unique runner and a ceramic plate with vulva like and butterfly forms honouring specific female figuresan assertion of the equal importance of women in history. Related once again to Duchamps antiaesthetic ready-mades (notably his urinal those works presented wry commentaries on the commodification describtive essay of the artists most elementary produce. 5 While in Mexico, she was asked, in 1963, to create a mural which she named El Mundo Magico de los Mayas, 25 and which was influenced by folk stories from the region. The return to painting One very clear tendency of the early to mid-1980s, which was trumpeted by a number of critics at the time, was a return to painting, mainly of a figurative or semifigurative nature.
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